Multiple Reading Personalities

Well, let this be a cautionary tale of what happens when you decide of a book to buy based on the fact that it is available for the Kindle: it might be pretty terrible.

While I haven’t read too many fantasy books recently, they usually are a steady part of my diet. I love supernatural creatures and twisted parallel universes, and while not every author is a Tolkien or a Gaiman, I usually enjoy myself a lot more with an average fantasy book than with an average novel. I guess I am much more forgiving to weaknesses in the story or the writing when I have dragons to make up for it.

I have however had a run of bad luck recently: my random selections were mostly mediocre, and even in one case atrocious. That decided me to go with a recommended book this time; my original pick was The Birthgrave (also from Tanith Lee), based on an enticing review in Coilhouse.

But The Birthgrace wasn’t available for Kindle. Neither was The Silver Metal Lover, also highly recommended (in the tearjerker category – I am also a sucker for those). That disappointed me, as I prefer my “light” books (the ones I am not terribly likely to re-read or reference) in electronic format: they are much easier to carry with you when you move, and I enjoy the reduced price that fits the reduced usage. I foolishly solved my dilemma by deciding to go with any Tanith Lee that would go on my Kindle, thinking something glib like well a good author is a good author, right?

Hm. What a disappointment. I guess I’ll use the library next time I’m feeling cheap, something I should do more often anyway.

Metallic Love is the story of Loren, who warns us from the start that we won’t like her much — giving us to guess that it is because she’s not overly romantic. Well, thought I, I do actually like a tough gal; we’ll go along just fine. Then she proceeded to mope, whine and exhibit all the sign of teenage passion (i.e. talk about her undying love while it’s obvious that 1) she knows nothing about her lover, and 2) there is no sense of joy in their story). She act depressed and impotent for the rest of the book. My dislike of Loren, together with the fact that the central story was a fancy SF version of ”prince sleeps with peasant girl/ princess in hiding” , pushed all my annoyance buttons, making it impossible for me to root for the the girl.

A couple things about the universe were interesting – living under the threat of a poorly-stabilized asteroid and the religious deviancies it feeds, the class differences, etc. – and I have no complaints with the writing, so I might indeed try another Tanith Lee sometime. In the meantime, the hunt for decent fantasy continues!

“I had feelings of affection, and they were requited by detestation and scorn. Man! You may hate, but beware!” (the monster)
“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow.“ (Frankenstein)

Illustration by Abigail Larson

I needed two quotes instead of one for what I liked in Frankenstein – its saving grace – was its duality. Is Victor Frankenstein a victim and his creation purely a “fiend” – or might Victor not be the real monster, and his creation the martyr?

Brought up in a loving Swiss family, Victor is an imaginative teen with a passionate intellect vulnerable to the wildest scientific theories. Despite his reclusive nature, Victor prepares to leave family to study at the university of Ingolstadt when he suffers his first misfortune: the death of his mother. Another shock waits for him in Germany, where he learns that the philosophers and naturalists he has been studying passionately (alchemists and mystics such as Paracelsus) are widely discredited. He decides to study physics and chemistry, quickly mastering these two disciplines.

In his studies, Victor stumbles upon “the secret of life” – and of course decides to test it. Assembling a semblance of a human being in his laboratory, he finally imparts it with life after months of grueling labor, only to feel a disgust of his creation so overwhelming he flees it in blind terror. When he finally returns to his laboratory, the creature is nowhere to be seen. Victor falls into a long delirious illness, nursed by his childhood friend Clerval.

From there, the tale descends into horror: Victor only finds his strength back to lose it again and again. He recovers from his illness to return home and find his youngest brother murdered and a family protégée falsely accused. Victor knows the real culprit is his monster, but cannot prove it. The creature seeks him out, eager to tell him the story from his point view, the rejection by all men including his creator, the accident that led to the murder of Victor’s brother, his solitude and his thirst for company. The monster offers a deal: if Victor creates him a companion, he will disappear forever. Victor accepts, and travels to England to seek out some scientists who can help him build his second creation (apparently, he forgot the trick). A fit of thinking however makes him realize that he’s putting the rest of humanity at risk by unleashing a second fiend upon it, and he destroys his labor. In revenge, the creature kills Clerval, and promises to destroy all that remains of Victor’s happiness on the night of his wedding.

Unable to imagine that this would be a threat against his fiancée, Victor decides to marry her as fast as possible, so he can once more confront – and maybe even this time fight – his monster. Alas! The fiend kills Elizabeth and Victor’s father, ravaged by grief, soon follows into the tomb. Creator and creature then start a chase that will lead them to the North Pole, where Victor dies without having been able to undo his deed. At his deathbed, the creature expresses his remorse, and departs to immolate himself in the wilderness, therefore erasing all his traces.

There are weaknesses aplenty in the book, and they are difficult to overlook: gaping plot holes, characters displaying limited mental abilities (despite his unparalleled brilliance, Victor rarely thinks ahead, and when he does his nerves betray him, or the book would end up much sooner), unrealistic exposition devices (someone writing in a letter: “you know that…” and then proceeding to explain in details what his correspondent knows) and an exaltation sometimes bordering on silliness… Yet this was the work of an author barely 18-year old! Her vivid imagination and enthusiasm are not the last of the charms of the book.

The main interest, however, is the mystery of the monster: are we to believe its account of itself, and feel the cruelty of its fate, or are we to embrace the point of view of the main narrator, Frankenstein, and feel his instinctive hatred for his creation? Perhaps from the weakness of the narration, I could not like Victor at all – found him to be a self-absorbed, timorous prick – and therefore had to side entirely with the monster. I had to share Mary Shelley’s reservations about human nature and its destructiveness, though I would not espouse her view of nature as the healer of it.

“Reality exists in the human mind, and nowhere else.”

I was extraordinarily confused, when discussing Orwell and Huxley with my husband a few weeks ago, to realize that I had somehow mentally concatenated 1984 and Brave New World into a single horrendous story. This is the reason why keeping this blog is so important: my memory, much as that of the 1984 characters, appears to be very flexible – though I do not require a Ministry of Truth and doublethink to achieve that suppleness.

1984, then: a world divided between three warring powers (Oceania, Eastasia and Eurasia) and a society split between the vast masses of the proletariat (“the proles”) and the ruling bureaucracy of the Party. The hapless party members are under constant surveillance, every deviancy ruthlessly punished, none harder than mind crimes. Under Big Brother, the ultimate transgression is independent thought.

An employee of the Ministry of Truth, Winston Smith is part of the huge administration in charge of constantly readjusting any documentation of the past to obliterate any Party failings. All day, he rewrites newspapers that are then reprinted to replace the originals. While he enjoys the minutiae of his job, revolt is growing in his heart, but he is too terrified to act on it… And where to begin when even your sleep is being watched?

Winston starts with a diary – a transgression made possible by a suspicious find (the paper diary, found in a prole shop) and a suspiciously favorable disposition of his apartment (which has an alcove hidden from the eye of the telescreen). From there conspiracy reaches out to him: first a colleague, Julia, initiates an affair with him, and then the Underground (the mythical resistance, which existence remains a question) reaches out to him via O’Brien, a member of the Inner Party. There are touching moments of a man waking back up to himself as long-forgotten memories of his family come back to him, as his body’s constant soreness fades – but of course, as Winston always knew, his escapade soon ends in the caves of the Ministry of Love. There, he is “re-educated”: physically and psychologically tortured until his broken spirit comes to accept the Party’s doctrine as true.

Re-reading 1984, I was just as awed as I remembered being at first read by the completeness of Orwell’s vision. The precision of it, the well-chosen details give it utter reality, and the philosophical erudition of the writer supplies intellectual conviction. Yet, much like Winston before his conversion, I couldn’t help but feel that the Party could not forever endure, no matter how sophisticated the sophisms defending it. Orwell convincingly warns of the dangers of totalitarian collectivism if it was ever cut from its humanitarian roots – dangers we have seen realized in the former USSR (and some manifestations of which we have come to see realized in our very own vision of a “meritocratic” democracy); he is slightly less convincing in his belief than perfect cynicism would somehow be less soluble in human nature than perfect idealism. Yet the danger is here, in our economic life if not in political bureaucracy. I can think of a dozen examples in my own corporate experience of doublethink, of Inner Party corruption and taste for power/ money, of minor vexations, of disgruntled employees enjoying the tasks if not the goals, and ignoring the later to focus on the firsts, of rewriting the past without seeming to notice. In fact, as I type this, I become more and more troubled by the analogies.

I wonder if and how Orwell would write this book today.